SA4QE - The Slickman A4 Quotation Event
The trains were not crowded and none of the passengers were talking into little telephones or smiling as they tapped out text messages. Some were reading books or newspapers. All of the faces, young, old, male, female, white and brown and black, were part of the many faces of the great sad thing that moves itself from here to there and back again in all forms of transport.
'Alone and blind and endlessly voyaging I think constantly of fidelity. Fidelity is a matter of perception; nobody is unfaithful to the sea or to mountains or to death: once recognized they fill the heart. In love or in terror or in loathing one responds to them with the true self; fidelity is not an act of the will: the soul is compelled by recognitions. Anyone who loves, anyone who perceives the other person fully can only be faithful, can never be unfaithful to the sea and the mountains and the death in that person, so pitiful and heroic is it to be a human being.'
If reality had a stage door I’d hang around there and see what came out after the show.
"Jachin-Boaz traded in maps. He bought and sold maps, and some, of certain kinds for special uses, he made or had others make for him. That had been his father's trade, and the walls of his shop that had been his father's were hung with glazed blue oceans, green swamps and grasslands, brown and orange mountains delicately shaded. Maps of towns and plains he sold, and other maps made to order. He would sell a young man a map that showed where a particular girl might be found at different hours of the day. He sold husband maps and wife maps. He sold maps to poets that showed where thoughts of power and clarity had come to other poets. He sold well-digging maps. He sold vision-and-miracle maps to holy men, sickness-and-accident maps to physicians, money-and-jewel maps to thieves, and thief maps to the police."
What passes for reality seems to me mostly a load of old rubbish invented by not very inventive minds.
Don’t worry about the form, and don’t worry about beginnings, middles and endings, take hold of the thing, wherever you can, whatever of an idea presents itself to you, whether it’s the foot or the elbow, grab it, and work out from there. Don’t expect too much of yourself, but – just as people who are thrifty, and who save money – and don’t wait until they’ve got fifty pounds to put in the bank, but put in a pound, or five pounds, or ten pounds, and it accumulates that way, do something every day. If you can only write a paragraph, do a paragraph. If you can write a page, do a page. A whole story, okay, an idea, okay, notes, whatever – just get into the habit of doing something every day. And, let the ideas develop as they will – don’t require of yourself that you do a whole story or a whole novel, just do whatever you can – every day.
In the train, Max remembers not to think out loud. People look at him and move away anyhow. "What music were we talking about?" he says to his mind.
"Hang on," says his mind. "I'm giving you a picture."
".....still I am of the world, still I have something to say, how could it be otherwise, nothing comes to an end, the action never stops, it only changes...."
