SA4QE - The Slickman A4 Quotation Event

What is there to tell you? he said to an unknown audience in his mind. What’s the difference who I am or if I am? The audience shifted in their seats, yawned. All right, said Kleinzeit, let me put it this way: you read a book, and in the book there’s this man sitting in his room all alone. Right? The audience nodded. Right, said Kleinzeit. But he isn’t really alone, you see. The writer is there to tell about it, you’re there to read about it. He’s not alone the way I’m alone. You’re not alone when there’s somebody there to see it and tell about it. Me, I’m alone. What else is new? said the audience. Possibility of nothing this evening, clearing towards morning, said a weather report. Let me put it this way, said Kleinzeit. This will bring us down to fundamentals: I have a Gillette Techmatic razor. The blade is a continuous band of steel, and after every five shaves I wind it to the next number. Number one is the last, which is of course significant, yes? Then I stay on number one for ten, fifteen shaves maybe, before I get a new cartridge. I ask myself why. There you have it, eh? The audience had left, the empty seats yawned at him. Kleinzeit got out of the train, poured into the morning rush in the corridor. Among the feet he saw a sheet of yellow paper, A4 size, on the floor, unstepped-on. He picked it up. Clean on both sides. He put it in his attaché case. He rode up on the escalator, looking up the skirt of the girl nine steps above him. Bottom of the morning, he said to himself.

Hoban, Russell (2015-05-12). Kleinzeit (Valancourt 20th Century Classics) (p. 8). Valancourt Books. Kindle Edition.
http://Russellhoban.org
The Slickman A4 Quotation Event ("SA4QE") began in 2002 as a fun way for Russell Hoban fans to share their favourite quotes with the world. Since then over 400 quotations have been posted in phone boxes, on park benches, on lion monuments, in bookshops and museums, as well as on social media.. Read more about SA4QE: ttp://russellhoban.org/sa4qe

“What are World Songs?”
“My father, Go Anywhere, told me about them,” said John, “the same as his father, Whatever Works, told him. The world is made up of ideas that live in the Mind of Things but before the idea comes the song. In these songs are such things as the taste of starlight on the tongue, the colors of the running of the wolf, the sound of the raven’s blackness, the voices of blue shadows on the snow, the never-stopping stillness of sea-smoothed stones, and the memory of ancient rains that filled the oceans. Without those songs there would be no world.”
“I’ve never heard those songs,” said No Problem.
“You’ve heard them but you don’t remember them. These songs are heard only by children in the belly — that’s why they come out into the world — the songs are so powerful and enticing. Once the children have the actual world in front of them they forget the songs, it would be too sad to remember them — the children would die of sadness because the world has so many bad things in it that aren’t in the songs, only soonchildren hear these songs, no one else.”
Russell Hoban, Soonchild, WHAT SOONCHILD TOLD JOHN, page 23-23, Candlewick Press (2012)

“I’m always looking for the Hows and the Whys and the Whats,” said Muskrat. “That is why I speak as I do. You’ve heard of Muskrat’s Much-in-Little, of course?”

“No,” said the child. “What is it?”

Muskrat stopped, cleared his throat, ruffled his fur, drew himself up, and said in ringing tones, “Why times How equals What.” He paused to let the words take effect.
“That’s Muskrat’s Much-in-Little,” he said. He ruffled his fur again and slapped the ice with his tail. “Why times How equals What,” he repeated. “Strikes you all of a heap the first time you hear it, doesn’t it? Pretty well covers everything! I’m a little surprised that you haven’t heard of it before, I must say. It caused a good deal of comment both over and under the pond, and almost everyone agreed that the ripples from it were ever-widening.”

February 4 is Russell Hoban’s birthday. This yellow paper was placed here as part of an annual world-wide celebration of Hoban and his work. Your finding it and reading it makes you part of the celebration, too.