SA4QE - The Slickman A4 Quotation Event

This fan event began in 2002 as a unique way of spreading the words of Russell Hoban. Every 4th February (Russell's birthday), readers around the world write their favourite quotations from his books on sheets of yellow A4 paper (the sort he used) and leave them in public places, and/or share them on social media with the hashtags #sa4qe and #russellhoban. Contributed photos and commentary were posted from 2002 to 2012 on the SA4QE site and then following this site's launch in 2012 new posts were uploaded here until 2022. This site no longer includes new contributions, but fans are welcome to continue celebrating! If you need a single sheet of yellow A4 and have enough yellow ink in your printer you can download this PDF. Below are some random quotations shared in previous years.

"Pas the sarvering gallack seas and flaming nebyul eye, 

Power us beyont the farthes reaches of the sky,

Thine the han what shapit the black

Guyd us there and guyd us back”.

I have a Friend's card; I like the way they nod me through when I show it: I'm not a stranger.  I always feel good in museums.  I like the high ceilings and the acoustics, the footsteps and the voices, the silence over and under the footsteps and voices and the individual silences of each thing, all of them different, all of them holding a long-departed Now.

".....still I am of the world, still I have something to say, how could it be otherwise, nothing comes to an end, the action never stops, it only changes...."

An ordinary mirror is silvered at the back but the window of a night train has darkness behind the glass. My face and the faces of the other travellers were now mirrored on this darkness in a succession of stillnesses. Consider this, said the darkness: any motion at any speed is a succession of stillnesses; any section through an action will show just such a plane of stillness as this dark window in which your seeking face is mirrored. And in each plane of stillness is the moment of clarity that makes you responsible for what you do.
Consider this, said the train wheels, repeating the message tirelessly moment after moment on the miles of cold iron that lay shining in the dark that led to Harwich and repeating face on face the faces reflected in the windows.

That night the sea-thing child heard the air humming. He looked up at the sky for the star that he always looked at, but it was blotted out. He could not see the star with his eyes, but in the dark of his mind he saw it burning and flickering over the sea. The humming of the air grew louder, and the sea-thing child stepped out of his double circle and faced into the wind. The ocean was high and wild, and the sky and the sea roared together, heaving in the dark.

The sea-thing child spread his wings to keep from falling down, and the wind blew him backwards. He moved forwards against the wind, then he began to run, faster and faster. The beach slipped away under him, he laughed, and flapped his wings and flew up into the storm.

When one is a child, when one is young, when one has not yet reached the age of recognition, one thinks that the world is strong, that the strength of God is endless and unchanging. But after the thing has happened--whatever that thing might be--that brings recognition, then one knows irrevocably how very fragile is the world, how very, very fragile; it is like one of those ideas that one has in dreams: so clear and so self-explaining are they that we make no special effort to remember. Then of course they vanish as we wake and there is nothing there but the awareness that something very clear has altogether vanished. 

 

from Mr Rinyo-Clacton’s Offer
 – Russell Hoban –


I took the Edgware Road train to Notting Hill Gate and the Central Line from there to Chancery Lane. The afternoon reality was a low-budget sort of thing I wasn't sure that everything I saw even had a back to it. None of the people in the underground had speaking parts and many of the faces were blank. The Grays Inn Road scenery had been done without much detail – a shop that sold second-hand office furnishings and another that cut keys were fairly realistic but I doubted that the doors actually opened and closed. The Morgenstern building was a little more convincing – a pseudo-Bauhaus thing with practical glass doors.

The security man at the reception desk looked me over critically but I brazened it out, signed in, and took the lift to the third floor. ‘Jonathan Fitch to see Jim Reilly,’ I said to the smart young woman who greeted me. She asked me if I'd like a coffee, I said yes, and she showed me to a conference room filled with business-grade sunlight.

 

Jim Reilly appeared shortly; he looked and sounded pretty much like me. There are probably a lot of people in the potential-realising-and-maximising business who look and sound like us – decent, clean-cut types with good teeth, firm handshakes, and clear eyes that don't blink too much. Jim had about two kilos of bumph under his arm which he laid on the dark and shining table. He took a sheet from the top and handed it to me. ‘I put together a little agenda here,’ he said, ‘of the points I'd like to cover in this first meeting.’ […]

 

My eyes travelled down the agenda but my mind had already fixed on Point 3: CLIENT OBJECTIVES! Did I have any, and what were they? The smart young woman brought in coffee and I drank it while Jim Reilly went on for quite a long time like a TV with the sound turned off. Every now and then he paused to remove some of the papers from the top of the two kilo stack and place them before me while I nodded or tilted my head to one side appreciatively and made such verbal responses as my mouth could manage. Objectives!


Celebrating the late, great writer’s 89th birthday
http://www.russellhoban.org/

That trains mostly stay on rails, that the streets are mostly peaceful, that the square continues green and quiet below my window is more than I have any right to expect, and it happens every day.

Pages