SA4QE - The Slickman A4 Quotation Event

This fan event began in 2002 as a unique way of spreading the words of Russell Hoban. Every 4th February (Russell's birthday), readers around the world write their favourite quotations from his books on sheets of yellow A4 paper (the sort he used) and leave them in public places, and/or share them on social media with the hashtags #sa4qe and #russellhoban. Contributed photos and commentary were posted from 2002 to 2012 on the SA4QE site and then following this site's launch in 2012 new posts were uploaded here until 2022. This site no longer includes new contributions, but fans are welcome to continue celebrating! If you need a single sheet of yellow A4 and have enough yellow ink in your printer you can download this PDF. Below are some random quotations shared in previous years.

In the train, Max remembers not to think out loud. People look at him and move away anyhow. "What music were we talking about?" he says to his mind.
"Hang on," says his mind. "I'm giving you a picture."

Always in November there comes such a night, blue-black and shining and wild with rain and wind and brown leaves blowing. In the morning suddenly the plane trees on the far side of the common are bare winter trees.

Sometimes in the small hours of the morning, while [X] sleeps peacefully beside me, I sit up in the dark, feeling myself and the world moving from the known to the unknown...

"Jachin-Boaz traded in maps. He bought and sold maps, and some, of certain kinds for special uses, he made or had others make for him. That had been his father's trade, and the walls of his shop that had been his father's were hung with glazed blue oceans, green swamps and grasslands, brown and orange mountains delicately shaded. Maps of towns and plains he sold, and other maps made to order. He would sell a young man a map that showed where a particular girl might be found at different hours of the day. He sold husband maps and wife maps. He sold maps to poets that showed where thoughts of power and clarity had come to other poets. He sold well-digging maps. He sold vision-and-miracle maps to holy men, sickness-and-accident maps to physicians, money-and-jewel maps to thieves, and thief maps to the police."

That trains mostly stay on rails, that the streets are mostly peaceful, that the square continues green and quiet below my window is more than I have any right to expect, and it happens every day.

"Perhaps this world that's in us, this world that we're in, was never meant to be fixed and permanent; perhaps it's only one of a continuous succession of world-ideas passing through the world-mind. And we are, all of us, the passing and impermanent perceivers of it."

Russell Hoban ~ From the Novel ‘Fremder'

“Being is not a steady state but an occulting one: we are all of us a succession of stillnesses blurring into motion on the wheel of action, and it is in those spaces of black between the pictures that we find the heart of mystery in which we are never allowed to rest.”

“More and more I find that life is a series of disappearances followed usually but not always by reappearances; you disappear from your morning self and reappear as your afternoon self; you disappear from feeling good and reappear feeling bad. And people, even face to face and clasped in each other's arms, disappear from each other.”

 

from Mr Rinyo-Clacton’s Offer
 – Russell Hoban –


I took the Edgware Road train to Notting Hill Gate and the Central Line from there to Chancery Lane. The afternoon reality was a low-budget sort of thing I wasn't sure that everything I saw even had a back to it. None of the people in the underground had speaking parts and many of the faces were blank. The Grays Inn Road scenery had been done without much detail – a shop that sold second-hand office furnishings and another that cut keys were fairly realistic but I doubted that the doors actually opened and closed. The Morgenstern building was a little more convincing – a pseudo-Bauhaus thing with practical glass doors.

The security man at the reception desk looked me over critically but I brazened it out, signed in, and took the lift to the third floor. ‘Jonathan Fitch to see Jim Reilly,’ I said to the smart young woman who greeted me. She asked me if I'd like a coffee, I said yes, and she showed me to a conference room filled with business-grade sunlight.

 

Jim Reilly appeared shortly; he looked and sounded pretty much like me. There are probably a lot of people in the potential-realising-and-maximising business who look and sound like us – decent, clean-cut types with good teeth, firm handshakes, and clear eyes that don't blink too much. Jim had about two kilos of bumph under his arm which he laid on the dark and shining table. He took a sheet from the top and handed it to me. ‘I put together a little agenda here,’ he said, ‘of the points I'd like to cover in this first meeting.’ […]

 

My eyes travelled down the agenda but my mind had already fixed on Point 3: CLIENT OBJECTIVES! Did I have any, and what were they? The smart young woman brought in coffee and I drank it while Jim Reilly went on for quite a long time like a TV with the sound turned off. Every now and then he paused to remove some of the papers from the top of the two kilo stack and place them before me while I nodded or tilted my head to one side appreciatively and made such verbal responses as my mouth could manage. Objectives!


Celebrating the late, great writer’s 89th birthday
http://www.russellhoban.org/

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